Pastoral Resources

I saw Suicide in '74 and it was pretty horrifying.

When they first cast me, I was a pretty avid fan and vampire movies and Celtic mythology, so I was excited to get a chance to walk in Doyle's shoes and have fun with it.

At this point, American workers are pretty respectful of the bosses they loathe.

What you're looking at there is my arm, going into the rock... and there it is - stuck. It's been without circulation for 24 hours. It's pretty well gone.

My first few films were institutional comedies, and you're on pretty safe ground when you're dealing with an institution that vast numbers of people have experienced: college, summer camp, the military, the country club.

I had a lot of fun working with John Candy. We had a pretty good rapport.

One of the reasons I don't see eye to eye with Women's Lib is that women have it all on a plate if only they knew it. They don't have to be pretty either.

The competition is pretty rough these days.

There is nothing I can do about this stuff and I am pretty well ok with the fact that I think Sundance is not going to be stopped by it, because he Festival is itself now, and doesn't need me out there to talk about it like I did years ago.

Me, I've concentrated on music pretty much to the exclusion of other things.

Kissing someone is pretty intimate, actually very intimate, and your heart always kind of skips a beat before you do that.

Most of those mocking us and our works night after night have not reached the point of suggesting we are going to use those weapons. They are pretty useless right now.

If my life had to be a song I would name it, 'Live every day like its your best day ever', because it pretty much is.

Don't tell a woman she's pretty; tell her there's no other woman like her, and all roads will open to you.

As a kid, I was a pretty good little sprinter.

A good interpreter can take a piece of bad music and make it sound pretty decent, while a bad interpreter can take good music and make it sound cheap. I can tell that some people have a bad taste, and unlike on the piano, they smear around a lot, that is bad taste.

You can look at the New York Times Bestseller List and you can be pretty sure that the writers on that list don't know each other very well.

That process by which you become a writer is a pretty lonely one. We don't have a group apprenticeship like a violinist might training for an orchestra.

Well, our songwriting process is pretty collective.

I thought I knew Texas pretty well, but I had no notion of its size until I campaigned it.