Pastoral Resources

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

Many people don't give a rip about politics and know as much about public affairs as they know about the topography of Pluto.

When public access to voting is impaired or when public confidence in voting is diluted, democracy suffers and our freedom is less secure.

When I was growing up, we used to play basketball in a park that was never shoveled when it snowed. The basketball rims were never fixed. And we understood then that there was a relationship between public policy and our quality of life.

I guess I didn't feel confident enough to be searching in a big public way. I was very content at the time to toil in obscurity on things that I thought might point me in certain directions or teach me certain things - not knowing what that would be.

Part of it has to do with this business of being approached in public. I have a distinctive look - it's partly the glasses I wear - and people seem to remember me once they've seen me.

But anonymity is very important to me, and I don't want to be recognized in public more than I already am.

Sometimes, when you are in the public eye, you just really need to just be part of the crowd, and look at other people rather than other people look at you.

The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them.

Proposition 19 already is a winner no matter what happens on election day. The mere fact of its being on the ballot has elevated and legitimized public discourse about marijuana and marijuana policy in ways I could not have imagined a year ago.

I'm not doing my philanthropic work, out of any kind of guilt, or any need to create good public relations. I'm doing it because I can afford to do it, and I believe in it.

Hollywood sold its stars on good looks and personality buildups. We weren't really actresses in a true sense, we were just big names - the products of a good publicity department.

I was raised in a Bronx public housing project, but studied at two of the nation's finest universities. I did work as an assistant district attorney, prosecuting violent crimes that devastate our communities.

Is it not the business of the conductor to convey to the public in its dramatic form the central idea of a composition; and how can he convey that idea successfully if he does not enter heart and soul into the life of the music and the tale it unfolds?

Anybody can write music of a sort. But touching the public heart is quite another thing.

I'm not someone who's led my life trying to get publicity; I'd rather do my work and go home.

I was not able to understand how it could be right to pay an actor, or a singer, or an instrumentalist for entertaining the public and wrong to pay a ball player for doing exactly the same thing.

Temporarily in 1934 I became a department head in the German Labor Front and dealt with the improvement of labor conditions in German factories. Then I was in charge of public works on the staff of Hess. I gave up both these activities in 1941.

And I believe that public broadcasting has an important trust with the American people, it's an intimate medium of television, and that we can do reading and language development for young children without getting into human sexuality.

What the insurance companies have done is to reverse the business so that the public at large insures the insurance companies.