Pastoral Resources

I didn't want o do metal work and get my hands all nicked up and be around guys. So I took drama because there were a lot of girls.

As for acting, I took drama lessons when I was in high school.

Baseball is drama with an endless run and an ever-changing cast.

I try to bring the audience's own drama - tears and laughter they know about - to them.

Opera is credible drama now, and it costs less than going to a football match. What have you got to lose?

But a city is more than a place in space, it is a drama in time.

In television, women can really run anything. It can be a comedy, it can be a drama, it can be genre, it can be anything. But in films, women are still getting to the top.

Olivier said that drama is an affair of the heart, or it's nothing, and he was right.

Beethoven had a great look. It was very much about the drama of appearance.

Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.

The ideal situation would be to bypass all of the drama and mayhem and just get the music right to the people. I'm confident that we'll eventually figure it out.

You know what I would really like to do? I'd like to do a half hour drama with comedy in it.

Women and minorities have excelled beautifully in comedy, but very few women are the lead in a drama.

In my opinion, the most significant works of the twentieth century are those that rise beyond the conceptual tyranny of genre; they are, at the same time, poetry, criticism, narrative, drama, etc.

I do like any kind of project that has both comedy and drama in it because in life you don't have one day where everything is funny then the next day everything is dramatic.

My father died prematurely at the age of 52 when I was 24, and it is a recurring regret that he never lived to see me succeed beyond university and drama.

A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.

In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real.

With a contained environment, there is the promise of friction. And that is where the drama comes from.

The point is, the political reporters are the ones who no longer understand the ritual they are covering. They keep searching for political meanings in the tepid events when a convention is now essentially a human drama and only that.