Pastoral Resources

The world must be filled with unsuccessful musical careers like mine, and it's probably a good thing. We don't need a lot of bad musicians filling the air with unnecessary sounds. Some of the professionals are bad enough.

I'd seen musicians act, and it scares me. And they make more money than me.

My dad took me to all the best rock and punk shows when I was growing up and music has always been a part of my life. So I'm very interested in the music scene and I suppose that's why I've ended up going out with musicians. Dave Pirner is still one of my best friends.

If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.

It's the duty of all novelists, all painters, all musicians, all people who try to make art move: to look for something they feel authentically, without paying attention to styles.

This is a cause that musicians can take to heart because one of our main reasons for being is to share our music with other people, and this takes us to people who probably wouldn't otherwise get to hear music on quite this level.

From the time I moved to San Francisco in 1967 to play with the Steve Miller Band, there was a lot of support in the music community for one cause or another, but this one was special because it was put on by people who understood where musicians' hearts are.

First, it doesn't surprise me that traditional music has experienced a kind of exhaustion in the 20th century - not forgetting that many musicians started to look outside the traditional structures of tonality.

So now, thirty years, forty years later, I mean, I could find a whole orchestra of a thousand to put these things together in New York City alone. In those days, if I could scrape up twenty musicians to do this it was something extraordinary.

The record company started as an adjunct to that, to give young composers their first recorded performances; to give young musicians their first debut on a recording. These are all things that big record companies would never touch because there is no money in it!

After the war, once the bop revolution had taken hold, there were all kinds of young musicians, talented young musicians, who were ready for this fusion of classical and jazz.

I think we musicians are emissaries. Every time we go before the public, we're there to make converts.

I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.

In other words, musicians know that going back to the Spoonful, what we were doing was not copying.

I think that my past stands me in good stead in that it does have a certain strength for musicians.

When it comes to musicians, I'm like the daddy of musicians here in Cuba.

Personally, I think young musicians need to learn to play more than one style. Jazz can only enhance the classical side, and classical can only enhance the jazz. I started out playing classical, because you have to have that as a foundation.

I didn't follow the standard rules of bass playing, and many musicians on many different instruments who became noteworthy for their unique or particular style did a very similar thing.

I think the future looks great for music, musicians, bass players, and all we love about music.

I'm fortunate I have this coterie of musicians around me to help take music to next level. Being surrounded by so much creative energy, so many creative people really feeds that creativity in me.